Midnight - not a sound from the pavement. She is smiling alone. In the lamplight, the withered leaves accumulate at my ft. And the wind begins to moan. Memory Wave - on their lonesome in the moonlight. I used to be beautiful then. I remember the time I knew what happiness was. Let the Memory Wave Method reside once more. Each street gentle seems to beat a fatalistic warning. And shortly it will be morning. Daylight, I need to look ahead to the sunrise. And that i mustn't give in. And a new day will start. The stale chilly scent of morning. Another day is dawning. Of my days within the solar. For Memory Wave those who touch me, you may perceive what happiness is. Look, a new day has begun. This, the primary Torch Song from the musical Cats, is the one number in the show that doesn't take its lyric from T.S. Eliot's Old Possum's Ebook of Practical Cats. The lyric is, at the very least primarily, composed by Eliot, but it surely comes as an alternative from Prufrock and Other Observations a 1917 assortment geared toward an adult viewers, where the OPBoPC targeted youngsters.
Given the erudition and obscurity of Eliot's grownup poetry, it isn't stunning that whereas the other songs in the show are merely the poem set to music, there are some vital modifications - all simplifications- between this and its source poem Rhapsody on a Windy Night. As a madman shakes a lifeless geranium. I've been unable to seek out any attribution for who did the adaptation, unless it was Andrew Lloyd Webber himself - this seems unlikely, given the fact that he has never been often known as a lyricist, although not unimaginable - I would personally be inclined to speculate they're the work of Don Black who was most carefully related to working with Lloyd Webber (collaborating with him on the present Music and Dance which was concurrent with Cats), although given his personal relationship with Elaine Paige, who was to play the lead and sing the track, it is possible that Tim Rice did the job. Whoever penned the words, Memory turned the very best known, and most recorded observe from the libretto, with the essential efficiency in all probability being that of Barbra Streisand, moderately than both Paige or the other lengthy-working female lead, Marti Webb.
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